03.24
At the start of the year I noticed a flurry of web activity as photographers from around the globe threw out links to their top ten shots of the year. I thought this must be the done thing if you’re a photographer and so I set about doing the same. Ok, we’re now a quarter of the way through 2010 but that’s given me plenty of time to have a proper retrospective of my first year as a working pro.
A year goes by pretty quickly these days (is that another effect of climate change?) and at first I thought I’d struggle to find ten images that I’d proudly mount on pedestals. But a trawl through my library reminded me just how many shoots, jobs and photos came out of those 12 months! So the problem was then drawing up a shortlist of the best ten.
And then there’s the subjective part: what defines a top photo? Should it be a personal favourite of mine or others? Should it feature a person or place that’s dear to me? Should it have captured a unique event or moment in time? Should it be technically well executed? Or all/some/none of the above?
Well after careful consideration I’ve selected my top ten images. Some of them I honestly didn’t expect to make the final cut, but for some of the reasons mentioned above, I felt that they deserved a place. Please have a browse and let me know which is your favourite.
Here we go, in no particular order (as that would take another three months!):
Disco Condo

This is one of my all time favourite shots and it’s also by far the standout favourite amongst my friends and those who have looked through my work and given me feedback. I suppose the thing that surprises people most about this photo is the fact that it was spontaneous. I just walked out onto my hotel balcony in Waikiki and this is what the building opposite looked like. No scouting for a location and no waiting for hours for the lights to come on. And that’s the magic of photography: the ability to make the everyday things around us look amazing. Read more about Disco Condo.
Lake Taupo Trance

On many photographers “to do” lists is a long exposure of a jetty leading out into the water, and it was certainly high up on mine for quite a while. But a trip to Lake Taupo in NZ finally gave me the opportunity to cross it off. This was taken at sunset after a day of unsettled weather. My west facing position gave me a nice golden glow on the horizon, while my ND grad filters blurred out the water, gave the clouds movement, and saved the sun’s highlights from blowing out. The ghostly blur of the swaying boat adds extra atmosphere. Read more about Lake Taupo Trance.
Sydney Dust Storm: Centrepoint Shroud

The Sydney dust storm was memorable for anyone in the city that morning and especially those, like me, who woke up at dawn to find they had relocated to Mars overnight. I took a heap of shots to commemorate this special event (and put the 5D Mk II’s dust proof claims to the test!) but this one is my favourite. It was taken in the CBD as I made my way to work. The dust was starting to clear but there was still an eerie silence as the city’s commuters tried as best they could to go about their daily routine as if everything was normal, despite this golden mist cloaking them! I like the perspective in this shot and how the silhouetted Centrepoint Tower in the distance gives a sense of how widespread the dust is. Read more about Sydney Dust Storm: Centrepoint Shroud
Sculptured Sunrise

Every year Sculpture By The Sea is one of the most popular events in Bondi, with amazing works of art adorning the beautiful Bondi to Tamarama coastal walk. There are opportunities galore for photographers, but if you want a nice clean composition you need to get there early, as in dawn early. And for that effort you may be rewarded with a shot to remember. Read more about Sculptured Sunrise.
Balance Beam

I spent quite a few mornings during the summer weekends at Cooper Park in Bondi. It was a haven for dragonflies and damselflies, and after the first morning of using my macro lens to get up close and personal with them, I was addicted and couldn’t wait to go back and take more! Most of the inhabitants were these Sydney Flatwing damselflies. They were amazing models! Very photogenic and totally unfazed by the camera despite the lens being just millimetres from their tiny faces! One of my shots (Red 5 Standing By) became an instant hit on my RedBubble web gallery, but my favourite is this one. I’d identified a broken stalk which I thought would be make a great perch and staked it out. Several hours and meat pies later (kidding) and this little fella decided to drop by and pose.
Red Vent

I’m a big fan of photo genres based around buildings, from clean architectural photography and lifestyle interior shots to eerie derelict warehouses and gritty urban cityscapes. Sydney offers a whole host of these opportunities and I try to make the most of them. This shot was taken very close to where I work. It’s a composition that called out to me as I was walking past, so I duly obliged. I like this for the vent’s splash of colour against a neutral canvas, and also because my decision to position it off-centre paid off and resulted in a more interesting image.
Opera House Streakers

This was one of the first images I shot with my 5D MkII. It was taken on the opening night of Vivid Sydney, a festival of light. Amazing installations had been set up all over the CBD but the centrepiece was the Opera House as a canvas for a series of light projections created by Brian Eno. I was taking long exposures to flatten out the water and enhance the ambient light, but as a working harbour there were boats constantly going through the shots, causing ghost images and light trails. I decided to use this to my advantage and waited for a small sailboat to approach, then I hit the shutter and soaked up its light trails as it bobbed past, adding extra colour interest to the shot.
Nintendo Launch Party

This shoot was memorable for me as there was a lot of pressure to perform (ahem). It was my first corporate event, there was decent money involved, and clients and celebs were present. Nintendo were releasing four new games at the trendy Oxford Arts Factory and had divided the venue into zones with each one set decorated to reflect one of the games. The zone for Style Boutique resembled a star’s dressing room with big mirrors surrounded by lightbulbs. I like this shot for two reasons. Firstly it was technically well executed given the cramped conditions. I needed to avoid catching myself or the flash in the mirrors and so I ended up in a corner on tip toes with elbows all over the place. But the resulting composition is strong, and the exposure and bounced flash balanced out nicely. Secondly I like this because it was taken just at the right moment when the main subject looked up and realised she was in my crosshairs! Plus the all important products are in clear view. There’s a lovely natural energy to the shot and most importantly the client was very happy with the results! Read more about Nintendo Launch Party.
Renny

Renny is an agency model with Platform Models and she was my first proper model shoot. I met her when I was shooting the NSW finals of the fashion tv Diamond model search and soon afterwards organised a shoot with her in a few locations around Bondi. Renny is an absolute star and a true professional; very easy going off camera, but when she’s in front of the lens she really knows how to work it! I’d scouted a few locations around Bondi that I wanted to use and this is my favourite – the entrance to an art deco apartment block at North Bondi. It has a very Miami feel to it and the outfit my stylist Ali picked out for Renny suited it perfectly. Another of the photos I took during the shoot is now featuring in Renny’s portfolio and the Platform Models website gallery. I’m really happy that the preparation that went into my first model shoot paid off and resulted in some great photos for both myself and the model. Read more about Renny.
Mitchell’s Christmas Party

It’s probably fitting that we finish on this image as it’s from a Christmas party. The setting was Luna Park and the company is Mitchell’s, the highest billing media agency in Australia (and one of the main rivals to the agency that I work at!). Everyone was up for a top night so I went full throttle and took a great collection of images. This one in particular stands out for me. It’s one of those shots where you see something new every time you look at it as there’s so much going on, such as the main subject spinning around while balancing her glass, the trumpet player in action on the stage, and the girl off to the right posing with her friend in front of her own camera. A nice amount of ambient light has been soaked up, giving the image a lovely range of colours, the flash has frozen the moment perfectly, and the angled camera position delivers a very dynamic (and almost dizzying) feel. A nice event to end the year with! Read more about Mitchell’s Christmas Party.
So that’s my top 10 of 2009. Would love to know which one was your favourite?








Hi Milts. Nice photo. What lens did you use? ISO Fstop and speed?
Lovin your work Milts … you will have to give me a lesson on how to use my camera properly one day!
I love the Lake Taupo Trance – totaly imagine standing on that jetty & feeling the surrounded eerieness
Hey G! All of these (except for Balance Beam) were taken with my Canon 5D MkII with 24-105mm f/4L IS USM at various settings. Balance Beam was taken with my Sony A300 fitted with 50mm f/2.8 macro lens. Is there a particular shot you wanted to know more about? Let me know and I’ll be happy to share!
Thanks Hamish! I think we better get that tuition in quick before the young one arrives!
Thanks Stephy, Lake Taupo is a beautiful place and it was certainly was very atmospheric that evening!
Cheers Milts. I’ve just recently spent some of Busters private school fund cash on an Eos 50d. I have an EFS 18-200 IS F3.5 and an EFS 60mm F2.8 USM Macro lens. Just done my first pro shoot of stage performances at Rebeccas school. Shots were ok but what settings would you recommend trying. Was struggling with lengthening the DOF whilst keeping some balance on the aperture and shutter speed, flash cannot be used. Maximum depth DOF and as fast a shutter speed as poss is desired. Point of view is 6-10 metres from stage, stage lighting is medium. Regards G.